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stoneposts

reports and thoughts on legal issues, music, Orthodox Christianity and/or whatever else strikes my interest

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Name: David Stone
Location: Houston, Texas, United States

My name is David Stone. I live in Houston, Texas. I am a 30-something single white male. I work as a Litigation Paralegal at an international law firm in downtown Houston. I am also an Orthodox Christian and am a member of an English-language parish of the Russian Orthodox Church Outside of Russia (ROCOR).

Sunday, July 20, 2008

Russia Remembers




Photo Sources here, here, here and here

Last week Russia marked the 90th anniversary of the murder of Tsar Nicholas II and the rest of the royal family.

Nicholas, along with his wife Alexandra, and their five children: Olga, Tatiana, Anastasia, Maria and the Crown-Prince Alexei were executed by firing squad on July 17, 1918 in the city of Yekaterinburg.

Tens of thousands of people made a pilgrimage to the Cathedral "On The Blood" (built on the spot of the old Ipatiev house where the Romanov family was executed) and the nearby area where their bodies were originally disposed of.

The remains of Nicholas, Alexandra, Olga, Tatiana and Anastasia were discovered in 1991 and were reburied in Saints Peter and Paul Cathedral in St. Petersburg. The remains of Maria and Alexei were discovered last summer in a location not far from where the other remains were found.

In 1981 the Russian Orthodox Church Outside of Russia canonized all of the family members as martyrs and in 2000 the Russian Orthodox Church canonized the family as Royal Passion-Bearers.

This article from the International Herald Tribune has more details on the anniversary observances.

A video clip featuring footage of some of the services marking the anniversary can be seen here.

An Epistle from Patriarch Alexei II on the anniversary can be read here.

More information on the Romanov family can be found here and here.

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Sunday, July 06, 2008

Willie's Family Picnic

Photo Source

Saturday I was able to attend Willie Nelson's Family Picnic at the new Showgrounds venue at Sam Houston Race Park. The all day event was a lot of fun but came with a few disappointments.

The show began at 1:00pm and continued to around 11pm. I arrived early but not early enough to catch the first half of Asleep At The Wheel's opening set. It would have been nice if the promoters had released a schedule prior to the event. It also would have been nice for them to make some kind of announcement that Merle Haggard would not be performing as advertised. I managed to find my seat and catch the last few songs by Asleep At The Wheel which included "House of Blue Lights", "Boogie Back To Texas" and "Miles and Miles of Texas". The band finished just before a thunderstorm blew through releasing a deluge of rain. Many in the crowd sought cover inside the race park lounge for around 30 minutes or so until the rain dissipated.

Once the thunderstorm passed the temperature cooled off somewhat and after a moderate delay Ray Wylie Hubbard took the stage. Ray was joined by his teenage son Lucas on lead guitar who is becoming quite a skilled player. Ray, Lucas and the rest of his band played a rocking set that included: "Snake Farm", "Screw You, We're From Texas", "Wanna Rock and Roll", "Drunken Poet's Dream" (a song Ray co-wrote with Hayes Carll) and a raucous sing along version of "Redneck Mother".

Ray and his band were then followed by the legendary honky-tonk hero Billy Joe Shaver. The set by the 68 year old Shaver was one of the highlights of the day. He still has a commanding stage presence and offered full-throated versions of many of his hits including: "Georgia on a Fast Train", "Try and Try Again", "That's What She Said Last Night", "Honky Tonk Heroes", "Old Chunk of Coal", "The Tough Get Going", the theologically suspect but contagiously fun "If You Don't Love Jesus Go To Hell" and his signature anthem "Live Forever".

Next up was David Allan Coe, the sometimes controversial singer-songwriter, who is also 68 years old. He was a sight to behold with his flowing long hair, braided beard, tattoo-covered arms and his rebel flag guitar. While the years have taken their toll on his voice he offered a relatively short but entertaining set consisting of songs from throughout his long career which included : "Please Come to Boston", "Me and Bobby McGee", "Take This Job and Shove It", "The Ride", and "If That Ain't Country".

David Allan Coe was followed by Los Lonely Boys. Their set was truly a family affair (not just among the sibling band mates) due to the presence of a few of their young children playing on the side of the stage. I hope they had earplugs because the band delivered a smoking set of their trademark road-house rock sound. They played a number of songs from their new cd as well as some of their most popular hits including: "I'm a Man", "Staying With Me", "Forgiven", "Heart Won't Tell a Lie" and "Heaven".

Next up was the legendary Ray Price. The 82 year old singer-songwriter was probably the biggest highlight of the entire day. He still looks very fit for his age and sounds almost as good as he did 30 years ago. He and his band, complete with a small violin section, offered a number of songs Price has written over the past several decades. Ray sang a memorable set in his characteristically crooning style that included such classics as: "Release Me", "Crazy Arms", "Heartaches By The Number", "For the Good Times", "Night Life", "Make the World Go Away", "Spanish Eyes", "Help Me Make It Through The Night" and "I Wish I was Eighteen Again".

What followed next was one of the few disappointments of the night. Merle Haggard was originally scheduled to perform before Willie but he had to cancel the morning of the show. That is understandable but the fact that no announcement was ever made to the crowd was not. So instead of Merle's set, and instead of the Ray Price and Willie set that was printed on the schedule (which was only handed out after one entered the grounds) the crowd was treated to the music of 40 Points led by Willie's son Lukas Nelson. Again this rescheduling would have been understandable if anyone would have bothered to announce it to the crowd. But no one did and the crowd was left to wonder who was this band that was playing when Merle or Ray or Willie should have been on stage. It wasn't until a few songs into Willie's set that Lukas was formally introduced to the crowd.

Finally, after nearly nine hours, Willie Nelson took the stage. A huge roar went up from the crowd as Willie took the stage and launched into "Whiskey River". I have to admit I was a little dubious going into the show over how well he would sound at this stage of his career. The 75 year old Willie left little doubt however that he still has plenty of voice left. He was in great form and sounded (if not as great as he did 20 years ago) quite good. Nothing to complain about at all.

He also delivered a very generous set. With very few commentaries or introductions he launched into blockbuster hit after blockbuster hit that left the crowd standing and cheering throughout. The band also lived up to the "Family Picnic" description as it featured Willie's sister Bobbie on piano, his son Lukas on guitar, as well as Paul English on drums, Mickey Raphael on harmonica and young Ruby Jane on fiddle. The set included so many classic songs and hits that I can't recall them all. Some of the highlights that I can remember included: "Whiskey River" (his opening and concluding song), "On the Road Again", "Always On My Mind", "Superman" (one of his newer songs), "Good Hearted Woman", "Mamas Don't Let Your Babies Grow Up To Be Cowboys", "Georgia On My Mind", "Stay All Night, Stay A Little Longer", "I'd Have To Be Crazy", "Funny How Time Slips Away", "Angel Flying Too Close To The Ground", "Beer For My Horses", as well as a few gospel tunes sprinkled in such as "I'll Fly Away", "I Saw the Light" and "Will the Circle Be Unbroken".

He played a memorable set but there was one final personal disappointment to the day. No Merle Haggard meant no "Pancho and Lefty". I had been waiting all day for that song and thought it would be the likely final song of the evening.

It was a real thrill, however, to finally see a Texas legend such as Willie. It made up for all the heat, rain, long lines, and ridiculously over-priced beer and food I had to endure.

I hope Willie comes back to Houston soon and I hope Merle can make it next time.

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Thursday, July 03, 2008

Scruggs Sentenced

Within the past week three prominent attorneys in the Scruggs judicial bribery scandal were sentenced to prison terms.

Richard "Dickie" Scruggs was sentenced to the maximum sentence of 5 years in prison.

His son Zachary Scruggs was sentenced to 14 months in prison.

Sidney Backstrom was sentenced to 28 months in prison.

Detailed coverage on the sentencing hearings can be found here and here.

The sentencing hearing transcripts can be found here (h/t Folo).

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Wednesday, July 02, 2008

Valaam Monastery Needs Volunteers

Photo by Sergey Kompaniychenko (Photo Source)

Valaam Monastery in Russia is in need of volunteers.

This incredibly picturesque monastery is located on an island archipelago in beautiful Lake Ladoga in the Karelia region of northwestern Russia.

The monastery is looking for volunteers willing to work at the monastery in exchange for free room and board for two weeks.

This article from ABCNews has more details.

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Monday, June 30, 2008

Upcoming Shows

7/01 - Elizabeth Wills @ McGonigel's Mucky Duck
7/03 - Bruce Robison @ the Mucky Duck
7/03 - Stoney Larue @ Big Texas (Spring)
7/03 - Sideshow Tramps @ Corner Pub (Conroe)
7/04 - Monte Montgomery @ the Mucky Duck
7/05 - Willie Nelson's Family Picnic @ The Showgrounds
7/05 - Clandestine @ the Mucky Duck
7/05 - Shake Russell @ Dosey Doe Coffee House (Woodlands)
7/06 - Zac Brown @ the Mucky Duck
7/08 - Dana Cooper @ Dosey Doe Coffee House (Woodlands)
7/08 - Beppe Gambetta @ the Mucky Duck
7/10 - Peter Murphy @ Meridian
7/11 - Randy Weeks @ the Mucky Duck
7/11 - James Hand @ Blanco's
7/11 - The Derailers @ Armadillo Palace
7/11 - Opie Hendrix @ Last Concert Cafe
7/12 - Jesse Dayton & Brennen Leigh @ the Mucky Duck
7/13 - Wine and Alchemy @ the Mucky Duck
7/17 - The McKay Brothers @ Blanco's
7/17 - Brandon Rhyder @ Dosey Doe Coffee House (Woodlands)
7/17 - Bob Schneider @ the Mucky Duck
7/18 - Sean Reefer @ the Old Quarter Acoustic Cafe
7/18 - Hamilton Loomis @ Last Concert Cafe
7/18 - Austin Lounge Lizards @ the Mucky Duck
7/19 - Jack Saunders @ the Mucky Duck
7/19 - Ian Moore @ The Continental Club
7/20 - Joshua Radin @ Warehouse Live
7/21 - Todd Rundgren @ Warehouse Live
7/23 - Phantom Planet @ Warehouse Live
7/24 - Two Tons of Steel @ Big Texas (Clear Lake)
7/24 - Clay Farmer @ Blanco's
7/25 - Miss Leslie & Her Juke-Jointers @ Blanco's
7/25 - Cross Canadian Ragweed @ The Showgrounds
7/26 - Houston Marchman @ Armadillo Palace
7/27 - Texas Johnny Boy & Milton Hopkins @ the Mucky Duck
7/28 - Dear and the Headlights @ Warehouse Live
7/29 - Arthur Yoria @ the Mucky Duck
7/31 - South Austin Jug Band @ the Mucky Duck
7/31 - The Texas Sapphires @ Armadillo Palace
7/31 - Micky & the Motorcars @ Firehouse Saloon

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Wednesday, June 25, 2008

"Tom Traubert's Blues" - Tom Waits


Here is a video of Tom Waits performing "Tom Traubert's Blues (aka Waltzing Matilda)" at Jones Hall in Houston, Texas on June 22nd, 2008. The song is preceded by a monologue featuring Tom's typically offbeat sense of humor.

(Update - This is a better quality video than the one originally posted and really highlights his facial expressions during the performance.)

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Tom Waits at Jones Hall

Photo by Mark C. Austin (Photo Source)

Last Sunday night I was fortunate enough to see Tom Waits in concert at Jones Hall.

A Tom Waits tour is rare enough but a tour stop in Houston is an exceedingly rare event. He last played here 27 years ago! As one would expect this show sold out shortly after the tickets went on sale over a month ago.

I knew I was in for a big event but I didn't realize just how big until I arrived at Jones Hall. I arrived two hours early for the show and even then the line to get in was almost a quarter of the way around the building. An up-and-coming singer-songwriter from Austin (whose Houston shows I have attended on occasion) was waiting in line a few places behind me. Even other performers have to make a Tom Waits show!

The people-watching aspect alone was hugely entertaining. There were plenty of "hats and tatts" to be seen as another local blogger has mentioned. The audience featured more beards, hats and tattoos than I have ever seen in one place before. There were also a number of heavily tattooed (and revealingly dressed) ladies in the audience. There were even a few guys who were "Tom Waits lookalikes" who were decked out in three-piece suits complete with Tom's trademark bowler hat.

Once inside I joined another long line for the merch table which featured: cds, a printed chapbook edition of Tom interviewing himself, as well as tour shirts based on photographs of an oil-stain on a Houston sidewalk that Tom took back in 1989. The lines at the bars were also quite long as everyone seemed to be doing their best to get a little hammered before the show.

I then found my way to my seat (which was a pretty good one) in the mezzanine section. This was followed by one of the few minor disappointments of the night. The concert start time was billed as 8pm but the show did not actually start until almost 9pm. This delay resulted in scores of audience members continuously having to leave for the restrooms throughout the show. I was sitting near one of the lobby doors and it was distracting.

I was amazed at how far people had traveled to see this concert. Many people in the audience had driven in from Austin. The couple sitting next to me (who graciously loaned me their binoculars for one song) drove in from San Antonio, the couple next to them had flown in from Canada and the guy sitting in front of me had flown in from Scotland.

When the show finally did start the crowd let out one of the biggest roars I have ever heard at a concert. Here is the set list for the Houston show (courtesy of the Houston Chronicle):

Lucinda
Way Down in the Hole
Falling Down
November
Dead and Lovely
Lie to Me
Day After Tomorrow
Hoist That Rag
Get Behind the Mule
Cemetery Polka
Trampled Rose
Jesus Gonna Be Here
Lucky Day
Tom Traubert's Blues
House Where Nobody Lives
Innocent When You Dream
Make It Rain
Murder in the Red Barn
Come On Up To the House
Dirt in the Ground
Eyeball Kid

encore
Going Out West
All the World Is Green

I've never been a huge Tom Waits fan though I've enjoyed a number of his songs. My first exposure to his music were his Bone Machine and The Black Rider cds. I have only occasionally listened to his later albums. After seeing him perform live, however, I can see why he has such die-hard fans. Tom, who is approaching his sixties, performed an energetic set stomping up clouds of smoke from the stage floor and employing all of his unique vocal stylings. His band for this tour is comprised of: Larry Taylor on upright bass, Patrick Warren on keyboards, Omar Torrez on guitars, Vincent Henry on woodwinds and Casey Waits (Tom's son) on drums. Tom played guitar as well as piano on a few numbers. Vincent Henry in particular stood out as he was frequently playing with two saxophones strapped across his body.

The highlight and surprise of the night had to be Tom's performance of "Tom Traubert's Blues (Waltzing Mathilda)". I've heard that he almost never plays this song these days. Many in the audience were moved by the performance. One of the persons sitting next to me nearly hyperventilated and then began to softly cry as Tom bellowed out the opening lyrics "Wasted and wounded, it ain't what the moon did, I've got what I paid for now". By the end of the song I was getting a little teary-eyed myself. Unfortunately, the highlight of the show for many was also the occasion for the one major disappointment of the night. Some drunk idiot in the balcony decided to shout out something incoherent during the last verse of the song. Fortunately it was only a short scream and Tom was able to quickly recover and complete the song...but it managed to break the magical spell that had fallen over Jones Hall up to that point.

Another highlight came during "Eyeball Kid" when Tom donned a "mirror-ball" bowler hat. He then turned around a few times which resulted in a lighting display that had laser-like beams of light shooting out from his hat into the audience.

There were a few other minor disappointments. I thought Tom stretched out a few of the songs too long by just simply repeating the chorus over and over and over again. I had the urge to look at my watch once or twice. He's Tom Waits though and he can do whatever he wants...and usually get away with it.

Another disappointment was the continued boorish behaviour of some in the audience. Shouting out requests to the stage to "play some Skynyrd" is a very tired and very unfunny joke...especially when it is directed towards an artist of Wait's caliber.

My personal highlights of the show were: "Lucinda", "November", "Cemetery Polka", "Tom Traubert's Blues", "Innocent When You Dream" (complete with a Tom-led sing-a-long) and "Come On Up To The House".

All in all I thought it was an incredible concert. Probably the best I have been to this year. Hopefully I won't have to wait another 27 years for Tom to come back to Houston again.

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